1 25 47 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. well, it was a long long time ago. So long i barely remember all the detail. ALL i remember is the pain and hardship that was caused to me and my brothers. It was not a time i wish to recount in any detail as it brings tears to my eyes and trembles that make my very soul shimmer. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource me myself and i Creator An entity primarily responsible for making the resource al morgan Contributor An entity responsible for making contributions to the resource al morgan Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) No Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I was born on January 23rd 1947 in Pomona California. As far back as I can remember my father was a Farm Labor Foreman. He had a 1947 red ford truck with a cabin in the back to transport the workers. Most of the time he would pick them up in Irwindale, California, but sometimes at the camp in Pomona or Upland California. As time went on he bought a 1956 Chevrolet truck and later a 1965 Chevrolet truck. Each time the cabin in the back got larger. My father would leave our house in San Dimas, Califorina at about 4:30 a.m. each morning, usually 7 days a week. My mother would gut up earlier to make him breakfast, and lunch which consisted of burritosn and were packed in a Thermos lunchbox. As kids my older brother and I would go with him on Saturdays and pick Oranges, Lemons, Tomatoes, Cucumbert, Peas, Grapefruit, or whatever was in season. Each Noverber we would go to Porterville, California, for the Orange season. This lasted until about 1965 when the program ended. I still have many pictures of my father in groves with the Braceros, and of his trucks. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Albert Martinez Creator An entity primarily responsible for making the resource albert martinez Contributor An entity responsible for making contributions to the resource albert martinez Rights Information about rights held in and over the resource Testing Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. My father, Refugio Villalobos Perez came to the US via the Bracero Program in 1955. He left five of my brothers/sisters and my mother in Santa Maria Transportina, Jalisco for the opportunity to get to 'El Norte' via the Bracero Program. Once established, my father broughy my brothers/sisters and mohter to the US. Three siblings were born in the US. My father worked many diferent jobs to support his nine children. He ended up working in the SF laborers union until his retirement. He and my mother spend his retiremtn between his ranch in Mexico and his hom ein northern CA. I am proud of my jefe and the sacrifices he made to make a better life for his famila. Four of his children attended UC Berkeley and the other five children took on union trades/careers. His oldest daughter, born in Mexico, is a year away from obtaining her PHD. He is the proud grandfather of over 20 grandchilren and recnetly welomed great grand children to the familia. Several of his grandchildren are in college and a grandchild recently graduated from UC Berkeley. My fathers favorite sayings are: 1. Como un rio, siempre para delante! 2. Tiene uno que trabajar con coraje! 3. Nunca pienses que se te va cerrar el mundo. 4. No tengas miedo dejar un trabajo, el nuevo trabajo va ser mejor. 5. Hay que tener fe. I carry my fathers bracero card in my wallet as a reminder that I can never give up on bettering what my jefe started. I am proud of my father and mother and what they did for thier familia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Perez Family from Jalisco, Mexico Creator An entity primarily responsible for making the resource alberto perez Contributor An entity responsible for making contributions to the resource alberto perez Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. A couple of days ago I found out that my father had been part of the Bracero Program. He passed away when I was about four years old, so I would like to know about him. Hopefully I can find some sort of information here. His name was Manuel Lopez Hurtado he was from Jalisco and was probably about twenty years around the time. He was a cotton picker and worked mostly in Texas until his boss help him and some other men immigrate and he then moved to McFarland, CA. It would be nice to know a little about his life during this time since what my mom has told me is very little. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manuel Lopez Hurtado Creator An entity primarily responsible for making the resource Alma Vergara Contributor An entity responsible for making contributions to the resource Alma Vergara Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Anonymously Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Unfortunately my dad, who was a bracero during 1958-63, does not have any proof or evidence that he was actually a bracero worker back then. My dad recalls that after he became a legal US resident one time he was traveling from Tamaulipas to Houston, an immigration agent from the border in Hidalgo saw his bracero ID card in my dad’s wallet and kindly asked if he could have it for his personal collection purposes, so my dad gave him his card (I still cant believe my dad did this). My dad says the agent convinced him by saying he would never need it since the program was over and he was now a legal resident. He never knew the name of this agent. Now my dad has no other way to prove his background as bracero since he never imagined he would sometime in his life need his id, check stubs or contracts from these companies that were enrolled in the bracero programs back then. He can’t recall the names of the companies he worked for since he would work for a company for a month and then work for another one the next month and since the companies names were in English it would be more difficult for him to remember the names. My Dad is currently living in Houston Texas. If you have a family member who had his bracero id card collected by an Hidalgo border agent perhaps together we can investigate about this person or testify about this as a group. Does anyone out there knows anything about immigration agents who got these bracero id cards for personal collection purposes please contact me at tamu50@hotmail.com.. Is there a place here in texas or in mexico that perhaps has records of all these bracero people who worked in the US back then? Lamentablemente mi padre que fue bracero desde 1958-63 no cuenta con ningun tipo de evidencia para probar que fue uno de estos trabajadores. Mi padre dice que despues de haber arreglado su residencia y al cruzar el puente hacia los estados unidos,un oficial de la immigracion (nunca supo su nombre) en hidalgo texas le pidio cortesmente la identificacion de bracero al versela en su cartera diciendole que el las estaba coleccionando y que ya no la iba a necesitar lo cual mi papa hizo (que se me hace increible que mi padre haya hecho esto ya que es una persona muy desconfiada con documentos importantes sobre todo tarjetas de identificacion) y ahora no sabe como mostrar evidencia ya que jamas imagino que iba a necesitar sus talones de cheques o contratos alguna ves en su vida, mi padre vive en Houston, Texas, Si tienes algun familiar que le paso lo mismo con su tarjeta con algun agente de Hidalgo, alomejor juntos podemos averiguar o testiguar que hubo alguien en immigracion coleccionando estas tarjetas de identificacion..Alguien tiene informacion sobre trabajadores de imigracion que estuvieron coleccionando estas tarjetas porfavor contacteme a tamu50@hotmail.com??...hay algun lugar aqui en texas que hayan guardado records de toda esta gente que venia a trabajar aca? Analui Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource immigration agent at Hidalgo Texas asked my Dad for his Bracero ID card Creator An entity primarily responsible for making the resource Analui Martinez Contributor An entity responsible for making contributions to the resource Analui Martinez Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Anonymously Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes agent bracero help ID immigration proof Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. My father was a bracero emigrant, through him my mother and brother get into the United States. at that time I was attending forth grade at Toribio Benavente Elementary school, the years in the school Fabens Grade School where difficult for my brother and me, I was only a teenager and my brother was three years younger then me, In the school I had to bear the language barriers, When I used to asked my apparently friend, in the school Can you help me? in this poem? She will said, sure I help you, but only to put the wrong words in the poem to make the others mack at me, Like my horse went to drink water and I was eating his food, things like that, to make every one laugh. Of course except the teacher, which I appreciated that. but at that time I was so Innocent, I mean If someone said,one thing I don't have the malicious to think differently. I only stood in that school two years, my father keep saying that taking care of us it was too expensive, my mother used to go to Juarez,Chih to take care of my others brothers and sisters who where fifteen in total. During that time I have to find the way to find me a job, nobody wanted to hire a 16 years old girl. I end up working as a farm worker wish was a hard work, I have to wake up so earlier in order to be in time for the buses that arrived to El Paso Texas just across the border from Juarez and El Paso those buses take us to Canutillo, To New Mexico, to Fabens, Texas We used to be around 3:00A.M. with our lunch and a second pair of shoes and extra clothes, I have to wear long sleeves and gloves, a big hat for the sun and a lot of strength to work and to support the heat,When the foreman where asking the boss at the end of the day, " are we going to pay her like the rest of the workers? "He said of course! she worked the same as the rest of the farm workers and even more" I used to clean the borders of the lakes, that, the weeds almost rising us for being so high and hard to see the canal, Also we were working withe the short azadon,were you have to bend yourself the whole time in other to clean and separated the lettuce and live space for the plant to grow, also in pick up the onions, or tomatoes. For only nine dollars a day. My mother used to be called the guerita for having a fair skin and working in the sun make her skin so red. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Education give you the tools to survive Creator An entity primarily responsible for making the resource Belem Antunez Contributor An entity responsible for making contributions to the resource Belem Antunez Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Hello, My name is Carla. I was given up at birth by my Biological Mother, Patricia Phares. She will not tell me who my father is. I only know a few things other than I look like him so here is the information I have about him: 1. My father worked on Herbert Phares Farm in Indiana planting & harvesting tomatos 2. He worked the 1965 tomato season 3. He & my mother dated a few times 4. He stayed in Indianapolis, Indiana at the housing unit 4. I was born in May of 1966 So I am looking for any information &/or records from this time period for this area. Maybe I can find someone who knew of their relationship or possibly find my father. I really would like to know him. No expectations other than knowing him. I have a lot of health problems and family information would be helpful. Please lead the way to finding my DAD. Sincerely, Carla Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Help me find my DAD! Creator An entity primarily responsible for making the resource Carla Morton Contributor An entity responsible for making contributions to the resource Carla Morton Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) No Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I remember my Dad hiring the Braceros to pick tomatoes for us. We only had 20 acres put out for the Lucas canning factory at Royal Center, Ind. We could have never picked all of the tomatoes, but they came in and picked them fast, and Dad hauled them to the canning factory. I was about 6 years old. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Carol Beecher Creator An entity primarily responsible for making the resource Carol Beecher Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. My grand father used to tell me that when he came to the United States as a bracero the Americans will fumigated him with a powder to disinfect him and to all the braceros. That powder which I don’t recall the name of it, can cause cancer and many other illness. My grandfather also used to tell me that because his blond hair and blue eyes he will be aloud to buy food or beer from Caucasian stores and he will play that he was deft and mute, he will get bear and goodies for his other bracero friends. This is sad and so discriminating. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mi Abuelo el Bracero, My bracero grandpa Contributor An entity responsible for making contributions to the resource Claudia Brunet Creator An entity primarily responsible for making the resource Claudia Brunet Rights Information about rights held in and over the resource Testing Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. My Grandfather Severo Jimenez from Jalisco came to the U.S twice through the bracero program. His first adventure was to Chicago, Illinois. I don't know too much about his stay there as he rarely mentioned that trip. His second trip was to Anaheim, California. He told me about picking oranges for a Filipino foreman. He happily remembered that while perched up on the tree he would take the orange tree leaves and "play" them like an instrument. Taking the leaf to his lips he would make it play like a "trumpet". He would entertain his comrades with melody requests. He told me about a time the foreman asked him to come to his house on the weekend and "play" for his family. My grandpa happily attended as he was promised ten american dollars to "play" an orange leaf.. he laughed as he told me this story. He must of found it amusing that someone would pay him to play a leaf. A musician at heart he always found a way to create music around him. He wrote many "corridos" about his life. I have the words to one in specific about his journey as a bracero. Unfortunately I was never able to get the music written down. My Grandpa passed away last August 2013 and while there are several stories I was able to write down about his life I am sad that I missed so many others. I have a notebook that I hand wrote as he dictated his life so often. My plan is to write a memoir about what I do know about his life. If anybody that happens to read this ever met him please don't hesitate to contact me. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource My Grandfather Severo Jimenez Creator An entity primarily responsible for making the resource Connie Guerrero Jimenez Contributor An entity responsible for making contributions to the resource Connie Guerrero Jimenez Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Anaheim Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. MY PAPA CAME TO THE US AS A BRACERO IN THE EARLY 1940'S FROM A SMALL VILLAGE IN MICHOCHAN, MEXICO...HE WAS AN ORPHAN AND BEGAN WORKING AS A YOUNG BOY IN MEXICO...HIS AUNT RAISED HIM...HE ONLY HAD A 3RD GRADE EDUCATION...BUT HE COULD READ AND WRITE...WHEN HE WAS A YOUNG MAN...THE VILLAGE HAD BEEN BULLETED WITH FLIERS ABOUT WORK IN THE US...HE TOLD HIS AUNT HE WAS GOING TO FIND OUT IT...HE NEVER RETURNED HOME. THEY SAW A STRONG YOUNG MAN AND BOARDED HIM ON THE TRAIN WITH OTHERS AND HE BEGAN WORKING IN THE FIELDS OF SO. MONTEREY COUNTY. HE TOILED IN THE FIELDS WITH NO WATER, LITTLE FOOD AND OFTEN FILLED WITH MAGGETS...HE TOLD THE WORKERS NOT TO EAT THE FOOD...HE BECAME AN ADVOCATE FOR DECENT HUMAN CONDITIONS FOR THE BRACEROS...WHAT LITTLE MONEY HE MADE SENT IT BACK TO MEXICO. IN THE LATE 1940'S HE SETTLED IN SAN JUAN BAUTISTA, CA...HE WORKED AS COOK IN BOARDING HOUSE FOR BRACEROS BY NOW AND MET HIS WIFE, CARMEN MURO...THEY WOULD HAVE 8 CHILDREN...MANY OF HAVE RECEIVED A COLLEGE DEGREE, ONE A MASTER'S DEGREE...AND IN 2008 HE PASSED AWAY AT THE AGE OF 95...STILL ABLE TO TELL HIS STORIES OF HIS JOURNEY INTO THE US. AT THE AGE OF OF 82 YEARS OLD HE BECAME A US CITIZEN...REALIZING HE NEVER GOING TO RETURN HOME TO MEXICO. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource CRISPIN G. ESPINOSA...LA ENTRADA A USA DE BRACERO Contributor An entity responsible for making contributions to the resource CONSUELO ESPINOSA Creator An entity primarily responsible for making the resource CONSUELO ESPINOSA Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) No Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes https://www.braceroarchive.org/files/original/danielmartinezthesis_d24a05a438.pdf fadc4b642b5aec76a7ff3091936fab84 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Martinez Thesis, "The Impact of the Bracero Programs on a Southern California Mexican American Community: A Field Study of Cucamonga, California", pub. 1958 Description An account of the resource This pdf file is the thesis by Daniel Martinez published in 1958 at Claremont Graduate School. The author attended the September 30, 2009 program at the National Museum of American History, participated in the discussion, and was asked to submit this document to the online Bracero Archive. Creator An entity primarily responsible for making the resource Daniel Martinez Contributor An entity responsible for making contributions to the resource Daniel Martinez Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes 1958 California community impact Cucamonga Daniel Martinez field study interviews Mexican-Americans Thesis https://www.braceroarchive.org/files/original/01-planada-daniel(s)_cheva--1941_64fcf351ed.pdf f0434cbc5fa7a1500d0522b23b6cd836 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1. Martinez Family Harvesting Alongside Braceros, 1941 Description An account of the resource 1 of 6 photos. Pictured: Eusevia Martinez (age 16), Daniel Fernandez Martinez (age 45) and Daniel Martinez *(age 12), circa 1941, Planada, California. The Martinez family lived in Claremont, California. During the 1940s, the children, who were U.S. citizens, picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. This photo shows Daniel Fernandez Martinez of Claremont and two of his nine children picking Kadota figs in Planada, California. *Daniel Martinez (son) is author of the Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Contributor An entity responsible for making contributions to the resource Daniel Martinez Creator An entity primarily responsible for making the resource Daniel Martinez Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) No Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Baldwin Park. Castruita Chicano Claremont Daniel Martinez Martinez Mexican-American Migrant Planada San Gabriel Valley Thesis https://www.braceroarchive.org/files/original/01-planada-daniel(s)_cheva--1941_c0ebc96bf3.pdf f0434cbc5fa7a1500d0522b23b6cd836 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource . Martinez Family Harvesting Alongside Braceros, 1941 Description An account of the resource 01. Pictured: Eusevia Martinez (age 16), Daniel Fernandez Martinez (age 45) and Daniel Martinez *(age 12), circa 1941, Planada, California. The Martinez family lived in Claremont, California. During the 1940s, the children, who were U.S. citizens, picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. This photo shows Daniel Fernandez Martinez of Claremont and two of his nine children picking Kadota figs in Planada, California. *Daniel Martinez (son) is author of Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Creator An entity primarily responsible for making the resource Daniel Martinez Contributor An entity responsible for making contributions to the resource Daniel Martinez Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Chicano Claremont. Daniel Martinez Martinez Mexican-American Migrant Planada San Gabriel Valley Thesis https://www.braceroarchive.org/files/original/02-plaada-1947-cheva_christina_d99e3681e4.pdf b3cb4d85b8a438fd29fc482f28f3a574 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2. Martinez Family Harvesting Alongside Braceros, 1947 Description An account of the resource 02. Pictured: Eusevia Martinez (Garcia) and Christina Martinez (Gonzalez) picking figs in Planada, California, circa 1947. Married names are shown in parenthesis. The Martinez family lived in Claremont, California. During the 1940s, the children, who were U.S. citizens, picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. This photo shows Daniel Fernandez Martinez of Claremont and two of his nine children picking Kadota figs in Planada, California. *Daniel Martinez (photographer)is author of Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Contributor An entity responsible for making contributions to the resource Daniel Martinez Creator An entity primarily responsible for making the resource Daniel Martinez Rights Information about rights held in and over the resource Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Chicano Claremont. Daniel Martinez Gabriel Valley Martinez Mexican-American Migrant Planada Thesis https://www.braceroarchive.org/files/original/03--planada-1947-rosie_760ed58f53.pdf 2cd299214d98f8dd2ddf053c4742dfb8 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3. Martinez Family Harvesting Alongside Braceros, 1947 Description An account of the resource 03. Pictured: Rosa Castruita (Martinez) picking figs in Planada, California, circa 1947. Married names are shown in parenthesis. The Castruita and Martinez families of Baldwin Park, and Claremont, California picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. *Daniel Martinez (photographer) is author of Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Contributor An entity responsible for making contributions to the resource Daniel Martinez Creator An entity primarily responsible for making the resource Daniel Martinez Rights Information about rights held in and over the resource Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Baldwin Park. Castruita Chicano Claremont Daniel Martinez Gabriel Valley Martinez Mexican-American Migrant Planada Thesis https://www.braceroarchive.org/files/original/02-planada-1947-cheva_christina_d4bbe28f3b.pdf b3cb4d85b8a438fd29fc482f28f3a574 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 2. Martinez Family Harvesting Alongside Braceros, 1947 Description An account of the resource CORRECTED TEXT 02. Pictured: Eusevia Martinez (Garcia) and Christina Martinez (Gonzalez) picking figs in Planada, California, circa 1947. Married names are shown in parenthesis. The Martinez family lived in Claremont, California. During the 1940s, the children, who were U.S. citizens, picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. This photo shows family members picking Kadota figs in Planada, California. *Daniel Martinez (photographer) is author of Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Contributor An entity responsible for making contributions to the resource Daniel Martinez Creator An entity primarily responsible for making the resource Daniel Martinez Rights Information about rights held in and over the resource Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Chicano Claremont. Daniel Martinez Gabriel Valley Martinez Mexican-American Migrant Planada Thesis https://www.braceroarchive.org/files/original/04-planada-1947-christina_52b632d64b.pdf 81d263e0ab896b0d2188ce8bedbd0cc3 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 4. Martinez Family Harvesting Alongside Braceros, 1947 Description An account of the resource 04. Pictured: Christina Martinez (Gonzalez) picking figs in Planada, California, circa 1947. Married names are shown in parenthesis. The Martinez family lived in Claremont, California. During the 1940s, the children, who were U.S. citizens, picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. This photo shows family members picking Kadota figs in Planada, California. *Daniel Martinez (photographer) is author of Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Contributor An entity responsible for making contributions to the resource Daniel Martinez Creator An entity primarily responsible for making the resource Daniel Martinez Rights Information about rights held in and over the resource Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Chicano Claremont Daniel Martinez Gabriel Valley Martinez Mexican-American Migrant Planada Thesis https://www.braceroarchive.org/files/original/05-planada-1947-lupe_0593655c20.pdf 59627dac6fbc0bcf425f179297cedcf4 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 5. Martinez Family Harvesting Alongside Braceros, 1941 Description An account of the resource 05. Pictured (clockwise): Grace Castruita, Isabel Martinez (Alba), Higinio Castruita, Veronica Guadalupe “Lupe” Martinez (Curtis), and Rosie Castruita (Martinez), picking figs in Planada, California, circa 1947. Married names are shown in parenthesis. The Castruita and Martinez families of Baldwin Park, and Claremont, California picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. *Daniel Martinez (photographer) is author of Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Contributor An entity responsible for making contributions to the resource Daniel Martinez Creator An entity primarily responsible for making the resource Daniel Martinez Rights Information about rights held in and over the resource Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Baldwin Park Castruita Chicano Claremont Daniel Martinez Gabriel Valley Martinez Mexican-American Migrant Planada Thesis https://www.braceroarchive.org/files/original/06-planada-1947-isabel_a79346825d.pdf 657830e1ed69dc39a7f3706db1ef67c4 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 6. Martinez and Castruita Families Harvesting Alongside Braceros, 1947 Description An account of the resource 06. Pictured: Grace Castruita, Isabel Martinez (Alba), Rosie Castruita (Martinez), Christina Martinez (Gonzalez), and Veronica Guadalupe “Lupe” Martinez (Curtis) picking figs in Planada, California, circa 1947. Married names shown in parentheses. The Castruita and Martinez families of Baldwin Park, and Claremont, California picked fruit alongside Braceros both locally in the San Gabriel Valley, and as migrant workers throughout California’s Central Valley. *Daniel Martinez (photographer) is author of Thesis “The Impact of Bracero Programs on a Southern California Community”, pub. 1958 (also available on the Bracero Archive). Creator An entity primarily responsible for making the resource Daniel Martinez Contributor An entity responsible for making contributions to the resource Daniel Martinez Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Baldwin Park. Castruita Chicano Claremont Daniel Martinez Gabriel Valley Martinez Mexican-American Migrant Planada Thesis Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I a son of a California farmer--in Chula Vista, CA (Otay Valley) we had a Bracero "camp" of about 40-50 Mexican workers for several years . I was born in 1948--after my family was released from Poston internment camp since we were detained as Japanese Americans. Memories were that as a kid--I woud run down to the camp during lunch to get burritos from the workers--the workers seem to love to share their food. Years and Years late--1990's---I was working as a lobbyist in Sacramento....I had the opportunity to meet new members of the California State Assembly. I had a meeting to meet a new member from Chula Vista--Juan Vargas a young Harvard trained new elected Legislator. During our meet and greet--Juan told me that his dad came to California as a Bracero working with a farmer named Takashima. I told him that farmer was my dad. What wonderful turn of events---I am lobbyist seeking votes from person (Juan Vargas) that would not be in California but for his dad having the opportunity to come to California Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Farmer's son Contributor An entity responsible for making contributions to the resource DAvid TAKASHIMA Creator An entity primarily responsible for making the resource DAvid TAKASHIMA Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. My father, Domingo Ruiz, Sr., was 12 when in 1915 he walked completely alone from San Luiz Potosi, Mexico, then a small village, and now the capital of a state in Mexico by the same name, to San Antonio, Texas. The trip was dangerous from many aspects: There was hardly any infrastructure to speak of at the time, the area was full of bandits robbing the various mines in the region, and the Mexican Revolution was in full force. My father inadvertently went northeast, instead of due north, and had to cross first the treacherous Panuco river that traverses a deep tropical valley at the edge of the plateau on which the state sits, and then the formidable Sierra Madre. He had no money on his journey, and he knew no one in San Antonio when he arrived. My father died in an automobile accident at a relatively young age, but not before leaving a family firmly established in this country. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Some Came Alone Contributor An entity responsible for making contributions to the resource Del Ruiz Creator An entity primarily responsible for making the resource Del Ruiz Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes san antonio san luis potosi Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. I made a video of my father several years ago about his immigration to the United States in the 50s. My parents became U.S. Citizens in the mid-90s. Here is the youtube link: https://youtu.be/DZJTgJLPC64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Domingo Cardenas Creator An entity primarily responsible for making the resource Domingo Cardenas Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) No Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. My mother Ana Maria de la Rosa Codina helped process Braceros in McAllen, Texas. She would type the applications. She said that many braceros would reverse their last names (mother/father's names) because they knew that that was the custom in the US. Then these names would be reversed again by the processors! Edward Codina ecodina at earthlink.net Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource secretary Creator An entity primarily responsible for making the resource Edward Codina Contributor An entity responsible for making contributions to the resource Edward Codina Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) No Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes McAllen processor secretary texas https://www.braceroarchive.org/files/original/guillermo-bracero-permit-mx_dc5f9e8513.pdf c3aee733248bcaa62cd6410cf0c100d2 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guillermo M. Bernal Creator An entity primarily responsible for making the resource Elizabeth Bernal Contributor An entity responsible for making contributions to the resource Elizabeth Bernal Rights Information about rights held in and over the resource You are being asked to contribute your story to the Bracero History Archive, which is developing a permanent digital record of the Bracero program. Your participation in the project will allow future historians, and people such as yourself, to gain a greater understanding of this program and its effect on the people involved.<br />You must be 13 years of age or older to submit material to us. Your submission of material constitutes your permission for, and consent to, its dissemination and use in connection with the Bracero History Archive in all media in perpetuity. If you have so indicated on the form, your material will be published on the Bracero History Archive website (with or without your name, depending on what you have indicated). Otherwise, your response will only be available to approved researchers using the Bracero History Archive. The material you submit must have been created by you, wholly original, and shall not be copied from or based, in whole or part, upon any other photographic, literary, or other material, except to the extent that such material is in the public domain. Further, such material must not violate any confidentiality, privacy, security or other laws.<br />By submitting to the Bracero History Archive you release, discharge, and agree to hold harmless the Bracero History Archive and persons acting under its permission or authority, including a public library to which the collection might be donated for purposes of long-term preservation, from any claims or liability arising out of the Bracero History Archive's use of the material, including, without limitation, claims for violation of privacy, defamation, or misrepresentation.<br />The Bracero History Archive has no obligation to use your material. Contribution Form The set of elements containing metadata from the Contribution form. Online Submission Indicates whether or not this Item has been contributed from a front-end contribution form. Yes Posting Consent Indicates whether or not the contributor of this Item has given permission to post this to the archive. (Yes/No) Yes Submission Consent Indicates whether or not the contributor of this Item has given permission to submit this to the archive. (Yes/No) Yes Contributor is Creator Indicates whether or not the contributor of the Item is responsible for its creation. Yes bracero michoacan